"Of unknown authorship, the Diana the Huntress is the archetype of the Bellifontain ideal flourishing in 16th century France, under the influence of Italian masters summoned by François I to the Château of Fontainebleau from 1530 (Rosso, Primatice). Some have seen this as a metaphorical portrait of Diane de Poitiers (1499-1566), mistress of Henri II, during the flourishing period around 1500, when the Château d'Anet was being built. It testifies to a taste for mythological nudes, in which drawing and a Mannerist-style elongated and contorted body are predominant."
Musée du Louvre. Paris >> http://www.louvre.fr/
